Discovery Channel The memorable Reed Gold Mine in Midland, North Carolina is the site of the initially archived revelation of gold in the nation. Gold was found around there only east of Charlotte in 1799, fifty years before the California dash for unheard of wealth. The Reed Gold Mine is the main underground mine in North Carolina that is interested in the general population.
The underlying revelation of gold was made ashore claimed by John Reed, a rancher who had settled in Cabarrus County amid the Revolutionary War. Reed's 12-year old child brought home a huge yellow shake that he had found in a spring on the family's territory. Not comprehending what the stone was, the family utilized it as a doorstop for a long time. John Reed at last took the stone to town where it was distinguished as a 17 pound gold piece.
Discovery Channel Documentary, Different ranchers in the territory started looking for gold on their properties, and the primary American dash for unheard of wealth started. Slaves did a great part of the underlying hard and perilous work at the Reed mine. In the early surface mining was done on the Reed property essentially along Little Meadow Creek. The biggest gold chunk found on Reed's property was one found in 1804 measuring 28 pounds. Underground work wasn't started until 1831. The Reed Mine remained a nearby family operation, going to the children and grandsons. By 1854 the gold was practically gone, and in 1855 the sheriff unloaded the property for about ¼ of its past quality. The new proprietors did minimal extra mining, and the mine shut in 1860 toward the begin of the Civil War. By 1895 new proprietors were again working the mine. A last vast piece measuring 23 pounds was found in 1896.
Discovery Channel The Reed Gold Mine turned into a state notable site in 1976. Bits of the underground passages have been restored and opened for guided visits. A Visitor Center has presentations of gold and shows of mining innovation and hardware. A short film accounts the revelation of gold at the site. Guests may likewise visit a mineral pounding stamp factory on the property. The notable site likewise offers a blessing shop, outing region, and trails. The Reed Gold Mine State Historic Site is situated at 9621 Reed Mine Road in Midland. It is open Tuesday-Saturday from 9am-5pm. Admission to the site and voyages through the mine are free. There is a charge of $2 per search for gold who might want to take a stab at prospecting. Gold panning is accessible from April 1 through October 31. A visit to Reed Gold Mine is instructive and a good time for the whole family.
Friday, April 29, 2016
Sunday, April 17, 2016
Why do we respond with fear when nature presents
animals fighting videos 2016, Why do we respond with fear when nature presents itself to us unedited, honest and crude? The intelligent clarification is that we know naturally that we were once chased. Fear advises us that in any case there are lions, sharks, even orcas, that are sufficiently enormous and sufficiently solid to devour us. Dread discharges the adrenaline that primes our bodies for battle or flight.
This versatile contention, the one that says we have advanced reactions that have served us well, is sound. It clarifies the mental clash made when nature sees demise however our cognizant personality tells our body that we are in a 40 foot pontoon thus safe from a 12 foot predator. Truth and sense are currently in struggle.
It additionally clarifies our requirement for a cheerful result. This is the contention determination our impulse would incline toward on the grounds that our reflex for survival is more grounded than our rationale. At the point when the adrenaline runs, intuition wins out over what our comprehension can let us know.
What's more, this is the center issue for how we see nature. We adore it but then we likewise fear it as a result of our wild desire to survive.
This intuition we even venture onto a whale calf whose predecessors gave sustenance to their orca cousins for a great many eras. It is so effective inside us that we have endeavored to stifle and control nature, to end up expelled from it, to end up safe.
Aside from a modest bunch of us who still stay outdoors in the open and climb in the wild, we have gotten to be disengaged from the perils of nature. The retreat into our assembled world is practically add up to for some individuals in western urban communities. The Discovery Channel is as close as we get to natures like the devil.
Demographers let us know that urban communities will proceed to extend and tackle a more noteworthy extent of the human crowded. What we are doing is offering into intuition; escaping from nature since despite everything we fear it.
We don't think along these lines. Our rationale lets us know that nature is great and at some point our pleasure focuses are activated by nature's excellence yet that primal inclination is difficult to move and it is the most straightforward clarification for why we fear nature.
This versatile contention, the one that says we have advanced reactions that have served us well, is sound. It clarifies the mental clash made when nature sees demise however our cognizant personality tells our body that we are in a 40 foot pontoon thus safe from a 12 foot predator. Truth and sense are currently in struggle.
It additionally clarifies our requirement for a cheerful result. This is the contention determination our impulse would incline toward on the grounds that our reflex for survival is more grounded than our rationale. At the point when the adrenaline runs, intuition wins out over what our comprehension can let us know.
What's more, this is the center issue for how we see nature. We adore it but then we likewise fear it as a result of our wild desire to survive.
This intuition we even venture onto a whale calf whose predecessors gave sustenance to their orca cousins for a great many eras. It is so effective inside us that we have endeavored to stifle and control nature, to end up expelled from it, to end up safe.
Aside from a modest bunch of us who still stay outdoors in the open and climb in the wild, we have gotten to be disengaged from the perils of nature. The retreat into our assembled world is practically add up to for some individuals in western urban communities. The Discovery Channel is as close as we get to natures like the devil.
Demographers let us know that urban communities will proceed to extend and tackle a more noteworthy extent of the human crowded. What we are doing is offering into intuition; escaping from nature since despite everything we fear it.
We don't think along these lines. Our rationale lets us know that nature is great and at some point our pleasure focuses are activated by nature's excellence yet that primal inclination is difficult to move and it is the most straightforward clarification for why we fear nature.
Youngsters pointed over the bow of the vessel
animals fighting compilation Youngsters pointed over the bow of the vessel on Monterey Bay just meters far from walking dark whales. As their guardians grinned and empowered the excitement, a case of executioner whales arrived and started to irritate a mother and calf, revolving around and smashing to attempt to partitioned the calf from the mother.
Before long the peg like teeth of the orcas started to cut the sides and flippers of the calf.
This, obviously, is the thing that predators do. They originate before. Ordinarily on the person that is simplest to catch or repress, in this way giving them a feast that keeps them alive at the most reduced danger to their own security.
On the fields of Africa, lions, wild puppies and hyenas constantly single out the weakest of the nibbling group - why make things any harder than they as of now are? Pursue down predators, instead of those that sit and hold up, advantage from making the pursuit as simple as could be expected under the circumstances.
On the sound the orcas were determined. Wounds to the calf consistently collected and blood got to be unmistakable in the water, the truth of the occasion unfolding on the characteristics of the watchers.
Sea life researchers, who later broke down footage of the occasion, watched that it was the more youthful orcas who played the most dynamic parts in the assault. The grown-up creatures kept down. "Instructing the adolescents how to chase", the specialists thought, or maybe, "leaving the perilous work to the more light-footed people".
The researchers additionally reasoned this was "not normal conduct," or "in the event that it is the thing that orcas do, then we have not watched it" and "perhaps it was a result of the high quantities of dark whales in the cove at the time." Or possibly, similar to the lions and hyenas of Africa, predators once in a while leave behind an open door. Naturally predators realize that incline times are more regular than times of bounty.
Whatever the reason, the assault was a drawn out occasion enduring a few hours.
As time passed, and clearly against all the chances, the dim whales swam towards the shore. As they came to shallower water the orcas severed.
Nobody could take after the calf to check whether it survived its wounds yet the looks on the characteristics of the travelers met for the narrative of the occasion left the crowd in probably. Obviously it had made due for all things tolerable. What's more, despite the fact that there was injury, there was a glad human closure of this common occasion. There was alleviation for the watchers, and for the movie producers, a marketable bit of TV.
Before long the peg like teeth of the orcas started to cut the sides and flippers of the calf.
This, obviously, is the thing that predators do. They originate before. Ordinarily on the person that is simplest to catch or repress, in this way giving them a feast that keeps them alive at the most reduced danger to their own security.
On the fields of Africa, lions, wild puppies and hyenas constantly single out the weakest of the nibbling group - why make things any harder than they as of now are? Pursue down predators, instead of those that sit and hold up, advantage from making the pursuit as simple as could be expected under the circumstances.
On the sound the orcas were determined. Wounds to the calf consistently collected and blood got to be unmistakable in the water, the truth of the occasion unfolding on the characteristics of the watchers.
Sea life researchers, who later broke down footage of the occasion, watched that it was the more youthful orcas who played the most dynamic parts in the assault. The grown-up creatures kept down. "Instructing the adolescents how to chase", the specialists thought, or maybe, "leaving the perilous work to the more light-footed people".
The researchers additionally reasoned this was "not normal conduct," or "in the event that it is the thing that orcas do, then we have not watched it" and "perhaps it was a result of the high quantities of dark whales in the cove at the time." Or possibly, similar to the lions and hyenas of Africa, predators once in a while leave behind an open door. Naturally predators realize that incline times are more regular than times of bounty.
Whatever the reason, the assault was a drawn out occasion enduring a few hours.
As time passed, and clearly against all the chances, the dim whales swam towards the shore. As they came to shallower water the orcas severed.
Nobody could take after the calf to check whether it survived its wounds yet the looks on the characteristics of the travelers met for the narrative of the occasion left the crowd in probably. Obviously it had made due for all things tolerable. What's more, despite the fact that there was injury, there was a glad human closure of this common occasion. There was alleviation for the watchers, and for the movie producers, a marketable bit of TV.
My employment was to come up with a narrative demonstrating
animals fighting to the death, My employment was to come up with a narrative demonstrating the procedure from drawing, through painting in the studio, to the judging of the works of art to making the last choice of artistic creations that would be a piece of a presentation which likewise included collectible and advanced skates, skating suits and authentic data.
To return to the "Handyman" subject, here are every one of the caps I needed to wear to finish this anticipate:
1. Creation organizer (counseling with Speed Skating Canada and individuals from the life drawing bunch, lining up shooting dates in craftsman's studios, figuring out who should have been met on camera, getting each one of those troublesome discharge shapes marked, and so forth.).
2. Script essayist (since I was distant from everyone else with this anticipate and I'm encountered enough to do as such, the script was never composed down. I outlined the stream and remembered that while shooting).
3. Camera administrator (for the most part hand-held and luckily I've sufficiently grown expertise with a hand-held camera that most shots looked entirely steady. I did, be that as it may, utilize a tripod for talking the craftsmen in their studios as I thought the minimum flimsiness would occupy to the gathering of people.)
4. Questioner (from behind the camera).
5. Lighting specialist (stand out light was utilized as a part of the craftsman's studios - the rest was shot under accessible light, so this wasn't quite a bit of a test).
6. Sound specialist (once more, a sorry test as most stable was recorded with the on-camera mic. what's more, just a couple meetings were finished with a solitary remote lapel mic.).
7. General altering (counting standard altering with moves, titles, lower thirds, and so on.).
I would prefer not to make it sound too simple. This was the lion's offer of the work done on this project and is the place all the imaginative choices are made.
8. Activity (keyframe movements of still pictures and titles).
9. Music sythesis and creation (OK, my mom was a performer and music instructor. I have that point of interest and I'll regularly form, orchestrate and perform my own music - in light of the fact that I'm a shoddy turkey who doesn't prefer to pay anybody for things I can do myself).
10. Voice-over storyteller (my dad was a radio character before he got into TV. He had an awesome voice and he taught me to utilize my voice when I entered radio as a young fellow. I've described actually a large number of TV and radio promos, instructive and corporate projects and live occasions as MC. It's an exceptionally helpful ability to have).
11. Planning representation for the DVD mark.
12. Creating the DVD (this one was genuinely simple, however once in a while they require sections, different projects and heaps of menu connections).
Kid, did my head get hot under every one of those caps. As this was a freebie I had no way out... I needed to do it all myself. It was the best time I've had in years!
I'm as of now adapting everything I can around 3D representation and activity, the making of movement foundations and other enhancements and, with an ex-understudy accomplice, extending my insight into the narrative sort.
To return to the "Handyman" subject, here are every one of the caps I needed to wear to finish this anticipate:
1. Creation organizer (counseling with Speed Skating Canada and individuals from the life drawing bunch, lining up shooting dates in craftsman's studios, figuring out who should have been met on camera, getting each one of those troublesome discharge shapes marked, and so forth.).
2. Script essayist (since I was distant from everyone else with this anticipate and I'm encountered enough to do as such, the script was never composed down. I outlined the stream and remembered that while shooting).
3. Camera administrator (for the most part hand-held and luckily I've sufficiently grown expertise with a hand-held camera that most shots looked entirely steady. I did, be that as it may, utilize a tripod for talking the craftsmen in their studios as I thought the minimum flimsiness would occupy to the gathering of people.)
4. Questioner (from behind the camera).
5. Lighting specialist (stand out light was utilized as a part of the craftsman's studios - the rest was shot under accessible light, so this wasn't quite a bit of a test).
6. Sound specialist (once more, a sorry test as most stable was recorded with the on-camera mic. what's more, just a couple meetings were finished with a solitary remote lapel mic.).
7. General altering (counting standard altering with moves, titles, lower thirds, and so on.).
I would prefer not to make it sound too simple. This was the lion's offer of the work done on this project and is the place all the imaginative choices are made.
8. Activity (keyframe movements of still pictures and titles).
9. Music sythesis and creation (OK, my mom was a performer and music instructor. I have that point of interest and I'll regularly form, orchestrate and perform my own music - in light of the fact that I'm a shoddy turkey who doesn't prefer to pay anybody for things I can do myself).
10. Voice-over storyteller (my dad was a radio character before he got into TV. He had an awesome voice and he taught me to utilize my voice when I entered radio as a young fellow. I've described actually a large number of TV and radio promos, instructive and corporate projects and live occasions as MC. It's an exceptionally helpful ability to have).
11. Planning representation for the DVD mark.
12. Creating the DVD (this one was genuinely simple, however once in a while they require sections, different projects and heaps of menu connections).
Kid, did my head get hot under every one of those caps. As this was a freebie I had no way out... I needed to do it all myself. It was the best time I've had in years!
I'm as of now adapting everything I can around 3D representation and activity, the making of movement foundations and other enhancements and, with an ex-understudy accomplice, extending my insight into the narrative sort.
When I started my film making profession
animals fighting 2016, When I started my film making profession I was just around 10 years of age. My dad saw to it that I had a 8mm motion picture camera, a film splicer/viewer and access to his projector.
While my dad positively taught me a considerable measure about the film making procedure (being an individual from a neighborhood motion picture club and making film plugs for the TV slot he worked for), I found that I needed to take in a great deal of it all alone. Which, during the time since, I have. I never had the chance to go to a film and TV school.
I figure that is the reason I could be known as a "Handyman" in the matter of varying media and film making specifically. I'd likewise jump at the chance to feel that I've aced a couple of these aptitudes.
Throughout the years the innovations have changed (Power Point presentations rather than slide appears and overheads, for instance), customer's needs have changed and I chose to spend significant time in my first love - film making... the principle distinction being that today we do advanced video creation rather than film and alter on a PC with non-straight altering programming.
While I do procure team as important to help me shoot video programs I as a rule attempt to do as a significant part of whatever remains of the specialized work myself as I can. The purpose behind this is three-fold. Initially, it permits me innovative control of the entire undertaking (inside my customer's rules obviously). Second, I think about my undertakings as imaginative attempts and myself as the craftsman. That just makes it darn fun! Third, I'm a modest child of-a-firearm! Why pay another person to accomplish something I can do great?
Along these lines, throughout the years I have sharpened some certain abilities that permit me to tackle all or the greater part of the parts included with creating a video program.
As of late I delivered a freebie narrative for the Richmond Artists Guild, reporting their endeavors to make vast compositions of velocity skaters to end up part of a showcase at Richmond City Hall amid the 2010 Winter Olympics. It was my commitment to the Richmond Artists Guild, the City of Richmond who facilitated the showcase at City Hall, Speed Skating Canada and the Olympics themselves. Likewise - not awful for the old portfolio.
While my dad positively taught me a considerable measure about the film making procedure (being an individual from a neighborhood motion picture club and making film plugs for the TV slot he worked for), I found that I needed to take in a great deal of it all alone. Which, during the time since, I have. I never had the chance to go to a film and TV school.
I figure that is the reason I could be known as a "Handyman" in the matter of varying media and film making specifically. I'd likewise jump at the chance to feel that I've aced a couple of these aptitudes.
Throughout the years the innovations have changed (Power Point presentations rather than slide appears and overheads, for instance), customer's needs have changed and I chose to spend significant time in my first love - film making... the principle distinction being that today we do advanced video creation rather than film and alter on a PC with non-straight altering programming.
While I do procure team as important to help me shoot video programs I as a rule attempt to do as a significant part of whatever remains of the specialized work myself as I can. The purpose behind this is three-fold. Initially, it permits me innovative control of the entire undertaking (inside my customer's rules obviously). Second, I think about my undertakings as imaginative attempts and myself as the craftsman. That just makes it darn fun! Third, I'm a modest child of-a-firearm! Why pay another person to accomplish something I can do great?
Along these lines, throughout the years I have sharpened some certain abilities that permit me to tackle all or the greater part of the parts included with creating a video program.
As of late I delivered a freebie narrative for the Richmond Artists Guild, reporting their endeavors to make vast compositions of velocity skaters to end up part of a showcase at Richmond City Hall amid the 2010 Winter Olympics. It was my commitment to the Richmond Artists Guild, the City of Richmond who facilitated the showcase at City Hall, Speed Skating Canada and the Olympics themselves. Likewise - not awful for the old portfolio.
As city occupants we are utilized to life inside
As city occupants we are utilized to life inside. A number of us spend the best some portion of our lives with a rooftop over our heads - be it the painted roofs of our homes or the false roofs that shroud the link spaghetti in our workplaces.
Animals Fighting in the Wild, We tend to see outside, where nature lives, from the love seat. Settled into delicate pads we observe perpetually staggering natural life documentaries more likely than not described by Sir David Attenborough.
So as to stay aware of the shocking photography, these shows perform the lives of creatures into a cleanser musical show of incredible scale. Kid do those critters endure!
We watch dazed as pictures of an infant elephant got in a dust tempest, lost and isolated from his mom; a gannet chick battered to an early passing by the surf of the southern Ocean; a lion whelp squandered far from appetite, yet continually calling to his pride; or a hide seal torpedoed by an executioner whale and hurled into the air; play out on our plasmas.
These pictures pull at our heartstrings. We feel both the force of the champ furthermore feel sorry for the casualty. It is an odd sensation.
There is most likely these photos, suitably enhanced with reminiscent portrayal and emotive music, make awesome TV.
What we now and then overlook is that really, out in this present reality of the Kalahari, Patagonia and the Serengeti, there is no dramatization in these scenes, no genuine theater or feeling.
The whale gets the seal since that us what it is intended to do. The lion whelp will attempt and attempt until it either succeeds or succumbs, and the elephant calf lives, or not. None of these individual occasions is something besides what nature proposed.
Animals Fighting in the Wild, We tend to see outside, where nature lives, from the love seat. Settled into delicate pads we observe perpetually staggering natural life documentaries more likely than not described by Sir David Attenborough.
So as to stay aware of the shocking photography, these shows perform the lives of creatures into a cleanser musical show of incredible scale. Kid do those critters endure!
We watch dazed as pictures of an infant elephant got in a dust tempest, lost and isolated from his mom; a gannet chick battered to an early passing by the surf of the southern Ocean; a lion whelp squandered far from appetite, yet continually calling to his pride; or a hide seal torpedoed by an executioner whale and hurled into the air; play out on our plasmas.
These pictures pull at our heartstrings. We feel both the force of the champ furthermore feel sorry for the casualty. It is an odd sensation.
There is most likely these photos, suitably enhanced with reminiscent portrayal and emotive music, make awesome TV.
What we now and then overlook is that really, out in this present reality of the Kalahari, Patagonia and the Serengeti, there is no dramatization in these scenes, no genuine theater or feeling.
The whale gets the seal since that us what it is intended to do. The lion whelp will attempt and attempt until it either succeeds or succumbs, and the elephant calf lives, or not. None of these individual occasions is something besides what nature proposed.
Friday, April 8, 2016
The 33-story Ritz-Carlton New York, Central Park is Mobil Five-Star
The Ritz
The 33-story Ritz-Carlton New York, Central Park is Mobil Five-Star and AAA Five-Diamond lodging includes 260 guestrooms and suites. With charming perspectives of Central Park and every one of the trimmings you'd anticipate from a Five Star lodging it is a well known decision amongst explorers to the Big Apple particularly amongst the individuals who get a kick out of the chance to take their pets along. The Ritz-Carlton, Central Park is really one of only a handful few totally pet-accommodating lodgings in New York City.
National Geographic Documentary The La Prairie at The Ritz-Carlton Spa is a flat out treat for visitors searching for a touch of spoiling. This sumptuous spa brags six treatment rooms, steam rooms, a wet room, and each excellence and unwinding treatment that you can consider. The jetlag treatment is an absolute necessity for explorers coming into this inn after a long worldwide flight.
This is the ideal inn from which to investigate Central Park and its encompassing attractions. Focal Park gloats two skating arenas, a pool, zoo and natural life focus and is home to a few shows and workmanship showings consistently. There is continually something going ahead in Central Park and a walk around it will never disillusion.
For a scrumptious evening tea, a light dinner or a few mixed drinks the Star Lounge is the place you'll need to go. For something more significant inspecting the menu made by acclaimed Chef Laurent Tourondel at the recently revamped BLT Market is an unquestionable requirement.
While I've just included three of New York's sumptuous Five Star inns there is a perpetual cluster of choices with regards to extravagance go in the Big Apple. Some other outstanding Five Star inns incorporate the Four Seasons Hotel, Mercer Hotel, Peninsula Hotel New York, St. Regis Hotel and the Trump International Hotel and Tower.
The 33-story Ritz-Carlton New York, Central Park is Mobil Five-Star and AAA Five-Diamond lodging includes 260 guestrooms and suites. With charming perspectives of Central Park and every one of the trimmings you'd anticipate from a Five Star lodging it is a well known decision amongst explorers to the Big Apple particularly amongst the individuals who get a kick out of the chance to take their pets along. The Ritz-Carlton, Central Park is really one of only a handful few totally pet-accommodating lodgings in New York City.
National Geographic Documentary The La Prairie at The Ritz-Carlton Spa is a flat out treat for visitors searching for a touch of spoiling. This sumptuous spa brags six treatment rooms, steam rooms, a wet room, and each excellence and unwinding treatment that you can consider. The jetlag treatment is an absolute necessity for explorers coming into this inn after a long worldwide flight.
This is the ideal inn from which to investigate Central Park and its encompassing attractions. Focal Park gloats two skating arenas, a pool, zoo and natural life focus and is home to a few shows and workmanship showings consistently. There is continually something going ahead in Central Park and a walk around it will never disillusion.
For a scrumptious evening tea, a light dinner or a few mixed drinks the Star Lounge is the place you'll need to go. For something more significant inspecting the menu made by acclaimed Chef Laurent Tourondel at the recently revamped BLT Market is an unquestionable requirement.
While I've just included three of New York's sumptuous Five Star inns there is a perpetual cluster of choices with regards to extravagance go in the Big Apple. Some other outstanding Five Star inns incorporate the Four Seasons Hotel, Mercer Hotel, Peninsula Hotel New York, St. Regis Hotel and the Trump International Hotel and Tower.
Thursday, April 7, 2016
Special Forces Opportunity
National Geographic Documentary, WE'RE GONNA GIVE YOU THE
OPPORTUNITY
TO ACTUALLY NAVIGATE THROUGH THE WOODS
WITH A PACK ON, USING A MAP AND A COMPASS.
HAVE YOU EVER USED A MAP OR A COMPASS BEFORE?
NOT REALLY.
YOU EVER NAVIGATED IN THE WOODS BEFORE? NAH, NEVER.
IT'S GONNA SUCK.
YOU'RE GONNA GET WET.
IT'S GONNA BE COLD.
AND WE'RE GONNA THROW A RUCKSACK ON YOU, MAN.
SO, I HOPE YOU'RE READY FOR THAT.
HOW MUCH DOES THIS THING WEIGH?
IT'S DEFINITELY OVER 80 POUNDS, SO THAT'S REALISTIC.
IS THAT TOO HEAVY? WE CAN TAKE SOME OUT.
I'LL GIVE IT A TRY.
NO.
YOU'RE NOT GONNA QUIT ON ME, ARE YOU? NAH.
SO, YOU READY? LET'S DO IT.
ALL RIGHT, LET'S GO.
YEP.
TO BE SUCCESSFUL AT LAND NAVIGATION,
YOU NEED TO UNDERSTAND HOW TO USE A MAP,
HOW TO USE A COMPASS, special forces, AND MORE IMPORTANTLY,
THE BIG PICTURE ON HOW TO TERRAIN ASSOCIATE.
SO YOU CAN'T JUST NAVIGATE THROUGH YOUR WOODS
STARING AT A COMPASS THE ENTIRE TIME AND STARING AT YOUR MAP.
(narrator) SPECIAL FORCES SOLDIERS NEED LAND NAVIGATION SKILLS
TO LOCATE THEIR OBJECTIVE IN UNFAMILIAR TERRITORY
WITHOUT BEING DETECTED BY THE ENEMY.
CONRAD HAS 20 MINUTES TO NAVIGATE ONE MILE,
AND ALL HE HAS IS A COMPASS, A MAP AND HIS TEAMMATES.
CONRAD, YOU GOT TO GET OFF THIS ROAD, MAN.
GET YOUR EQUIPMENT, PACK IT UP, AND GET IN THE WOODLINE.
I DON'T CARE WHICH DIRECTION YOU GO RIGHT NOW.
JUST GET OFF THE ROAD.
YOU DON'T WANT TO WALK UP AND DOWN THE ROAD, ALL RIGHT,
'CAUSE PEOPLE ARE GONNA SEE YOU ON THE ROAD, OKAY?
SO WE'RE GONNA GENERALLY STAY IN HE WOODS,
BUT WE CAN STILL USE THE ROADS AS VISUAL INDICATORS
OF WHERE WE ARE TO HELP US TERRAIN ASSOCIATE
AS WE MOVE THROUGH OUR OBJECTIVE.
WHICH WAY WE GOING? THAT WAY, I THINK.
YOU TURNED LEFT THREE TIMES ALREADY.
YOU WANT TO KEEP IT CENTERED,
PICK A POINT IN THE DISTANCE, WALK TO THAT POINT.
WHAT'S YOUR POINT?
LIKE, THAT TREE.
THE ONE THAT'S CURVED.
ALL RIGHT, THIS IS THE CURVED TREE.
REMEMBER, YOU GOT TWO TEAMMATES RIGHT HERE THAT COULD HELP YOU.
ALL RIGHT, YOU THINK IT LOOKS GOOD?
SEE HOW THE GROUND STARTS TO SLOPE UP RIGHT HERE? UH-HUH.
YOU SEE THIS BROWN LINE RIGHT HERE? YEAH.
THAT'S THAT.
WHOLE POINT OF THIS.
.
.
IS YOU NEED TO GO AS FAST AS YOU CAN
TO BE ABLE TO COMPLETE YOUR MISSION.
WHAT'S YOUR NEXT POINT?
TO ACTUALLY NAVIGATE THROUGH THE WOODS
WITH A PACK ON, USING A MAP AND A COMPASS.
HAVE YOU EVER USED A MAP OR A COMPASS BEFORE?
NOT REALLY.
YOU EVER NAVIGATED IN THE WOODS BEFORE? NAH, NEVER.
IT'S GONNA SUCK.
YOU'RE GONNA GET WET.
IT'S GONNA BE COLD.
AND WE'RE GONNA THROW A RUCKSACK ON YOU, MAN.
SO, I HOPE YOU'RE READY FOR THAT.
HOW MUCH DOES THIS THING WEIGH?
IT'S DEFINITELY OVER 80 POUNDS, SO THAT'S REALISTIC.
IS THAT TOO HEAVY? WE CAN TAKE SOME OUT.
I'LL GIVE IT A TRY.
NO.
YOU'RE NOT GONNA QUIT ON ME, ARE YOU? NAH.
SO, YOU READY? LET'S DO IT.
ALL RIGHT, LET'S GO.
YEP.
TO BE SUCCESSFUL AT LAND NAVIGATION,
YOU NEED TO UNDERSTAND HOW TO USE A MAP,
HOW TO USE A COMPASS, special forces, AND MORE IMPORTANTLY,
THE BIG PICTURE ON HOW TO TERRAIN ASSOCIATE.
SO YOU CAN'T JUST NAVIGATE THROUGH YOUR WOODS
STARING AT A COMPASS THE ENTIRE TIME AND STARING AT YOUR MAP.
(narrator) SPECIAL FORCES SOLDIERS NEED LAND NAVIGATION SKILLS
TO LOCATE THEIR OBJECTIVE IN UNFAMILIAR TERRITORY
WITHOUT BEING DETECTED BY THE ENEMY.
CONRAD HAS 20 MINUTES TO NAVIGATE ONE MILE,
AND ALL HE HAS IS A COMPASS, A MAP AND HIS TEAMMATES.
CONRAD, YOU GOT TO GET OFF THIS ROAD, MAN.
GET YOUR EQUIPMENT, PACK IT UP, AND GET IN THE WOODLINE.
I DON'T CARE WHICH DIRECTION YOU GO RIGHT NOW.
JUST GET OFF THE ROAD.
YOU DON'T WANT TO WALK UP AND DOWN THE ROAD, ALL RIGHT,
'CAUSE PEOPLE ARE GONNA SEE YOU ON THE ROAD, OKAY?
SO WE'RE GONNA GENERALLY STAY IN HE WOODS,
BUT WE CAN STILL USE THE ROADS AS VISUAL INDICATORS
OF WHERE WE ARE TO HELP US TERRAIN ASSOCIATE
AS WE MOVE THROUGH OUR OBJECTIVE.
WHICH WAY WE GOING? THAT WAY, I THINK.
YOU TURNED LEFT THREE TIMES ALREADY.
YOU WANT TO KEEP IT CENTERED,
PICK A POINT IN THE DISTANCE, WALK TO THAT POINT.
WHAT'S YOUR POINT?
LIKE, THAT TREE.
THE ONE THAT'S CURVED.
ALL RIGHT, THIS IS THE CURVED TREE.
REMEMBER, YOU GOT TWO TEAMMATES RIGHT HERE THAT COULD HELP YOU.
ALL RIGHT, YOU THINK IT LOOKS GOOD?
SEE HOW THE GROUND STARTS TO SLOPE UP RIGHT HERE? UH-HUH.
YOU SEE THIS BROWN LINE RIGHT HERE? YEAH.
THAT'S THAT.
WHOLE POINT OF THIS.
.
.
IS YOU NEED TO GO AS FAST AS YOU CAN
TO BE ABLE TO COMPLETE YOUR MISSION.
WHAT'S YOUR NEXT POINT?
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